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Volume 7, February 2005 |
ISSN 1538-893X |
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Bahia, Brazil: The Land Of Happiness By J. C. Caballero, Eco Voyager |
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Bahia was
the source of the colony’s initial wealth as Portuguese settlers planted the
first of massive sugar cane and tobacco plantations to supply the expanding
markets of Europe. Evidence of this wealth is to be seen in Salvador’s famous
Pelourinho District, which houses the largest and best preserved complex of
colonial architecture in the Americas. The narrow, cobbled streets, lined with
fine colonial houses painted in pastel shades, are testament to the city’s
golden era of the 18th century. Salvador is also famous for its many churches.
The spectacularly ornate church of São Francisco, with its splendid golden
interior, is the finest example of Baroque church architecture in Brazil. The
workforce for these plantations was slaves from Africa, mainly from West Africa.
The heritage of these slaves, mainly Yorubá speaking, permeates the city to
this day. The predominant influence is Candomblé, an animist religion that
worships ancestral deities and orixás, deities that represent the elements of
nature. These orixás are worshipped in the thousands of terreiro’s (places of
worship) in Salvador and in the cycle of popular festivals, which take place
during the summer months. Yemanjá, the goddess of the sea; Oxum, the goddess of
rivers and lakes, and Oxalá, the god of creation are some of the more important
orixás in the vast pantheon. This
permeating African influence can be felt by all the five senses: The visual arts
have always been important in Bahia and Salvador is famous for its naive style
where painters use strong, bold colors and an apparent simplicity that belies
the often intricate, densely detailed works. For many
years the music of Bahia has had a huge audience worldwide through the works of
João Gilberto, Caetano Veloso, Gal Costa and Gilberto Gil, recently undergoing
a resurgence with the appearance of the Afro drumming troupes of Ilê Aiyê,
Araketu and Olodum, who have worked extensively with such international
musicians as Paul Simon.
The local
cuisine, with its delicious, subtle blend of dendê (palm oil), tomatoes,
coconut milk and fresh coriander leaf, is a pleasure to the palate. Colorful
street vendors sell the famous acarajé, a bean dumpling deep-fried in the palm
oil, in their traditional costumes. It is for all of these reasons
that Salvador has been called "Africa in exile", where 80% of its
population of over 2 million people have African blood coursing in their veins. The Coconut Coast: ecotourism and deserted beaches
Praia do Forte is now a
tranquil resort with a strong emphasis on the preservation of flora and fauna.
The resort has ample quality accommodations, numerous restaurants and offers
some of the best beaches in Brazil. Inland from the coast there is a restinga
forest, a forest that grows on sandy soil with a very delicate ecosystem. Near
the village there is a small pantanal, a marshy area that is host to some of the
most abundant bird life in Bahia. Early morning and late afternoon the pantanal
resounds to the calls of snail kites, kingfishers, cormorants and chattering
parakeets.
Cachoeira, rooted in tradition Set deep in the heart of some
of the oldest farmland in Brazil, lies the colonial city of Cachoeira, once a
thriving river port that provided a vital supply link with the farming
hinterland and Salvador to the east. The region was the center of the sugar and
tobacco booms, which played such an important role in the early wealth of the
colony. The majestic saveiro, a gaff-rigged boat, traditionally transported this
produce down the River Paraguassu to Salvador across the bay. These boats can
still be seen on the river at Cachoeira. The impressive colonial
architecture, particularly its fine examples of Baroque and Rococo churches, is
considered a World Monument by UNESCO and protected by the Brazilian National
Monuments Commission. With the expansion of the road network, Cachoeira ceased
to be the important link it was in the time when sail and steam ruled. The town
stopped in its tracks and maintains its special charm for this reason. As in Salvador, Candomblé
plays a very important role in the life of the town. It was because of the easy
access by river from Salvador that many of the more traditional Candomblé
temples moved to avoid repression. Every August, Cachoeira is the
sight of one of the most important festivals in the Candomblé calendar in Bahia.
The Sisterhood of the Boa Morte (Good Death) is a festival deeply synchronized
with Catholicism. The Sisters, some
of them of a very advanced age, all descendants of slaves, parade through the
town with a statue of the Madonna, which is symbolically buried to assume into
the heavens on the following day. Behind this Catholic aspect lies a hidden side
in which the African ancestral spirits are worshipped. This solemn part of the festival is followed by a street festival where the Sisters dance the samba de roda, a spinning samba danced in beautifully colored flared skirts, creating a kaleidoscope effect as the Sisters swirl and spin to the music. Cachoeria is seen as one of the most important centers for the study of African heritage and traditions in the Americas.
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