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Volume 6, May 2004 |
ISSN 1538-893X |
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Chamber Music on a Greek Island
By
Vivienne Pittendrigh,
Chamber Music Holidays and Festivals |
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“We
were so surprised to hear world-class concerts in Corfu in wonderful private
villas – the perfect place for chamber music. This was the highlight of our
holiday!” How often we hear such
comments, but it’s surprising since Corfu has a long, interesting musical
history. During
the latter part of the Venetian occupation of Corfu (1386–1797) an opera house
was built and visiting companies from Italy were regular attractions there. The
music faculty of the Corfu Ionian University gives high-quality concerts by
staff and students during the year, and the island boasts a philharmonic
orchestra, several choirs and more than 30 wind and brass bands, some dating
back to the 19th century. At a chamber music festival I was involved in
organizing in Tuscany in 1991, the Mayor of Corfu arrived unannounced. He had
been interested to see how this worked, and how we might arrange something
similar on his island. He wanted to promote such cultural events and we had
previously met in Corfu to discuss this possibility. He really liked what he saw
and so “Divertimenti” in Corfu was born. Early
Days Among
the regular musicians in the early days of Divertimenti in Corfu were the
Lindsay String Quartets, one of the most highly acclaimed musical ensembles
worldwide. Apart from being superb musicians, the Lindsays were very open,
friendly people and we had many amusing experiences with them. One of the most
memorable was their concert at the top of the 15th century Old
Venetian Fortress, which had superb views but logistically was very difficult to
set up in. We
had to drive through tunnels to get there. We’d just seen the James Bond film For
your Eyes Only, which was set in Corfu and featured a breathtaking car chase
through these very tunnels, so imaginations were running riot. There was a full
moon the night of the concert, and the setting was absolutely stunning. During
the second half a sudden breeze began blowing. First violinist Peter Cropper had
to hold his music to the stand with his foot – quite an acrobatic feat. The
quartet put on a concert the next year at the New (late 16th-century)
Venetian Fortress, at the same time frantic preparations for an upcoming
European Summit were taking place. During the concert, somebody began testing
the electric supply. The lights went off, then on, then off, then on. Each time
they dimmed, the quartet pitched forward in unison to squint over their sheet
music. When the lights came back on, they’d pitched back as one, finding
themselves suddenly too close to the notation. They did this several times,
calmly and totally unflappable, looking almost balletic. Nothing seemed to faze
these superb musicians. At
another concert, this one in the National Gallery in a village about 10 miles
north of Corfu town, we found the chairs for the quartet were impossible to use,
so Peter’s son and I went off to hunt for suitable ones. We had no luck in the
first two tavernas we checked out, but found a perfect set in the third. The
taverna owner had no hesitation lending them to us although he had never seen us
before. It was a typically friendly, trusting Corfiot gesture.
After
several years the mayor’s sponsorship ended. A friend, Lady Marjorie Holmes,
suggested we have a concert in her villa. Her garden, already famous throughout
Greece, was now to become a superb concert venue. She had lunched on board a
large Royal Navy warship (a destroyer, I think) the day before and had found
volunteers keen to help setting up. We
soon discovered we had none other than the captain, chief engineer and other
senior officers carting wine crates and glasses, and moving chairs during the
afternoon set-up, then also acting as barmen for the pre-concert and interval
drinks. Guests loved these charming seamen. They also loved it when, in the
middle of the concert, Marjorie’s dog wandered across the area where the
quartet were playing, his long tail wagging happily and just missing each music
stand. Now
the villa concerts are well established – unique evenings with superb music,
delectable food and wines, and an exclusive social atmosphere ideal for
listening to chamber music. They
also give an insight into Corfu life which few tourists ever see. Every
year world renowned musicians join with the famous Kocian Quartet, who are the
resident musicians. This year they are joined by the outstanding Herold Quartet,
a new generation of great Czech ensembles that already are charting impressive
international careers. The noted Czech cellist Michal Kanka and the Greek clarinetist
Odysseas Karydis will join the quartets for quintets, and Kanka will also play
two concerti. These outstanding musicians not only delight audiences with their
wonderful concerts but also are superb coaches for the amateur musicians who
play every morning. In this International Year of Czech Music, programs will include several
quartets by Dvorak and Smetana, as well as Vivaldi, Haydn, Boccherini, Mozart,
Beethoven, Schubert and Brahms. The
Corfu Chandris Hotel is our home during the Festival – not only are they
generous sponsors, but they also have a delightful open air theater in the
extensive beachside gardens where we hold two concerts – the string quartet
often has birds singing along as the sun sets.
The musicians and their families join the participants of Chamber Music
Holidays for dinners, wonderful
parties, sightseeing and an enchanting boat trip.
My
apartment has a large living area and balcony – great for parties. One evening
we decided the large fireplace was beggng to be used.
About 10 minutes after we lit the fire, there was a loud banging on the
door. As I opened it two firemen rushed in then stopped and looked surprised.
“Mrs. Vivienne, your alarm showed a big fire and we were sent to save
you!” Ever since I have phoned the reception to tell them when we are lighting
a fire. Although
there are many flights to Corfu, for those of us who travel by car our regular
route is to sail from Venice. We go to the top deck to enjoy the wonderful view
of Venice as we slowly sail out to sea, passing the Grand Canal, St Mark’s
Square, the Doge’s Palace and the Vivaldi Church. Arriving in Corfu is always
impressive – the old Venetian buildings and the two imposing fortresses give a
déjà vu feeling. For
history buffs, the Old Town of Corfu is a jewel, with its maze of narrow
streets, elegant Venetian mansions, charming squares, historic Greek Orthodox
churches and the magnificent Palace of St. Michael and St. George with its
superb collection of Asiatic art. Corfu town and surroundings reflect the
history of this fascinating island,which stretches back to the 6th
century B.C. and beyond. The
Archaeological Museum and Palaeopolis Mon Repos Estate, with excellent
exhibitions and several fascinating sites, give a good idea of pre-Roman era of
the island’s history. The later Venetian, French (1797–1799 and 1807–1814)
and British (1814–1864) eras also left unique legacies. It’s an interesting
experience to sit in a café on the Liston, which is a copy of the Rue de Rivoli
in Paris built by Napoleon, looking towards the Venetian Fortress and the
British-built Palace of St Michael and St George while you’re watching a game
of cricket! Our
afternoon excursions take us to the Achilleon Palace, built by the Empress
Elisabeth of Austria, and to the south of the island with centuries-old olive
trees, fishing villages, long sandy beaches and delightful fish restaurants. In
the north is Mt Pantocrator. More than 3,000 feet high, with a cooler landscape
and stunning views. The coastline has charming little bays and rocky outcrops
indented with caves. Here the fantastic turquoise sea is so clear you can see
each pebble many feet below. On several occasions we’ve been joined by
dolphins in this magical area. Chamber
Music and this fantastic island fit well together. Looking back on 12 happy
years of this festival, I think of the Gerald Durrell book, My Family and
Other Animals. Perhaps the title of this article should have been, My
Family and Other Musicians!
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