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Volume 7, May 2005

ISSN 1538-893X

 

This Issue

Feathers, Banjos and Golden Slippers
Performing Arts festivals and events - Host Review

Saharan Festival

Pleasures of Bordeaux
Music Festivals in Prague
Getting Festive in Historic Spain
Feis to Feis encounters
Chicago Blues Festival
Epidaurus Festival
Grand Teton Music Festival
Summer Shakespeare
Parranda Navidea, Santa Domingo
 

4 Host of the Month

4 Museum Pick
4 Festival Pick
4 World Heritage Site
4 Calendar
 

Of similar interest:

The Ultimate Summer Train Trip

The "Million Dollar Highway"

America's Great Empty Has Great Surprises

Montana's Indian Country

The Colorado Plateau's Rock Art" Images Rarely Seen

Colorado Plateau

Barging Through America

National Parks:

Glacier National Park, Montana

Yellowstone: The First National Park

Grand Teton

Great Smokey Mountains National Park

Great Basin, Colorado

Toroweap, Grand Canyon National Park

Redwood National Park

Mesa Verde, Colorado
 

Grand Teton Music Festival

Courtesy of The Grand Teton Music Festival

Click For DetailsThe Grand Teton Music Festival has been the summer home for classical music in Jackson Hole since 1962.  Guided by the vision of founding fathers George Hufsmith and conductor Ernest Hagen, the Music Festival was originally produced by the Fine Arts Guild as part of the Jackson Hole Fine Arts Festival.  The first several seasons included dance, film, and visual art as well as music. Local volunteers gave time, energy and money to make the acoustical panels, risers and floor coverings that provided the setting for beautiful music.  Consuelo Von Gontard’s enthusiastic excitement for the Festival’s potential carried the Festival through many lean times.  With performances in the old High School gymnasium, the Jackson Lake Lodge, and on the lawn of St. John’s Church, the Festival made a mark on the summer cultural life of Jackson Hole

-Although attendance at concerts was light during the first decade it was obvious to all of those involved that important changes were occurring, as remarked upon in the following quote by Grant Hagen’s in late 1966.

In 1967 the Music Festival moved to Teton Village. The Jackson Hole Ski Area gave the Festival a rent-free site for a concert tent.  When all concerts were moved to Teton Village, a goal was set for a permanent home to be in place before the tent shredded from sun and wind.

It became increasingly clear that a permanent music director was also necessary.  1967 marked the last season for guest conductors and musicians hired by Festival staff. With the appointment in 1968 of Ling Tung as Music Director, the Festival took a significant step forward.  Tung recognized the irresistible beauty and grandeur that the Grand Tetons offered.  At this time, the name was changed to the Grand Teton Music Festival, with the appropriate slogan, “Only music could make it more beautiful.”  He and his business manager Margaretha Walk envisioned a Festival as a summer retreat for an elite group of professional musicians.  Since that time, musicians from America’s great orchestras and music school faculties gather annually to form a resident orchestra that performs weekly concerts of symphonic music as well as chamber music in a collegial setting.

After seven years of orchestral performances in Teton Village under a carnival tent and chamber music in the Mangy Moose Saloon, the Festival celebrated its growing national prominence by opening Walk Festival Hall in 1974 at the base of the ski slopes in Teton Village.  Paul McCollister and the Jackson Hole Ski Corporation generously donated the land on which the Hall is built. Architect Bob Corbett, acoustic engineer Christopher Jaffe, construction tycoon John Bancroft and Job Captain George Sutherland built Walk Festival Hall achieving acclaim for its unrivaled acoustics. Dick Moore, Building Fund Chairman, made the loan possible from Jackson State Bank, funding the construction of the 750-seat building costing approximately  $675,000.

Audiences and musicians, including some of the world’s most celebrated artists such as Emanuel Ax, Sarah Chang, Yehudi Menuhin, Itzhak Perlman, Robert Shaw, the Mormon Tabernacle Choir and the Choral Arts Society of Washington D.C., have appreciated Walk Festival Hall.  In 1988 the Festival made its national radio debut.  In 1989 the New York Philharmonic under Zubin Mehta enjoyed a two-week residency at the Festival. These guest soloists, conductors, and many more have added glitter and prestige to the Festival!

Active in education from its earliest days, the Festival achieved national recognition with its Orchestral Seminar that ran each June between 1982 through 1993. Many of today's orchestral musicians received important early training through this program that recruited college-aged musicians from around the country. Today, the Festival continues its educational component by offering Young People's Concerts during the summer. In 2000, the Festival began StringFest, a three-day string music workshop with a master clinician for 8th grade students in Jackson and Star Valley culminating in a day-long rehearsal and concert with the combined forces of both valleys in Walk Festival Hall. With a growing winter audience for good music, the Festival began offering a few winter concerts during the late 90xs. Most of the guest artists performed in-school demonstrations. In 2002 an expanded winter series newly named The Medalist Series offered six recitals by prize-winning young musicians form major music competitions. Not only do these young artists perform outstanding recitals, each also perform two in-school services in varied formats of mini-recitals, master classes, and question & answer sessions. Cumulatively, the Medalist Series artists reach around 750 Jackson students annually.

Upon Maestro Tungxs retirement in 1996, Eiji Oue was appointed music director and Tung was named Conductor Laureate. Beginning with Maestro Ouexs inaugural season in 1997, the Festival enjoyed a new surge of growth and excitement. Concert attendance grew as important outreach efforts brought new audiences, including school children, to Festival programs. The outdoor 4th of July concert known as Music in the Hole was created and annually attracts over 10,000 people -- more than the entire population of Jackson! In 2001 National Public Radio was in residence for a week broadcasting Music in the Hole and portions of concerts to a national audience. The Festival marked its 40th Anniversary with special celebrations and recognition of founding father George Hufsmith, and bade a fond farewell to Ling Tung who conducted his final Festival concert. As the Festival entered the new millennium, it was clear that the Festival, acclaimed by Musical America for its "virtuoso orchestra that would make any city proud" had become one of the premier summer music festivals in the world!

In April 2002 Eiji Oue was named Music Director of the Osaka Philharmonic Orchestra in Japan beginning April 2003. He succeeded Takashi Asahina who founded the orchestra in 1947 and was its music director until his death at the age of 93. Eiji Oue took his final bow as Music Director of the Grand Teton Music Festival August 16, 2003. Beginning in 2005 Eiji Oue will make his debut at Bayreuth conducting Tristan and Isolde, an honor bestowed upon him by the Wagner family. This production opens in July 2005 and will run for five summers.

The 2005 Summer Festival dates are July 4 - August 27

Courtesy of The Grand Teton Music Festival

 

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