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Volume 6, November 2004 |
ISSN 1538-893X |
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A Maori Welcome
By
Cheryl Fleet,
Canyon Calling Adventures for Women |
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Omaramutu is on the east coast
of New Zealand’s North Island, close to where the movie Whale Rider was
filmed. I have been leading our 18-day trip to Fiji and my native New Zealand
each February since 1999 and our stay at this marae, or Maori homeland,
is a definite highlight. We are welcomed with warmth and ceremony, treated with
generosity and kindness, and we leave as family. Repetition can sometimes
diminish the impact of an experience but if that is so, why is my heart buzzing? Petera Hudson and his mother
Martha greet us outside the gate to the marae. Both have beautiful open smiles
and long gray hair, Martha’s in braids. They shake our hands and welcome each
of us with a kiss on the cheek. Petera explains the protocol during the
hour-long formal welcome. We’re all a little excited and nervous. We walk to the gate and wait.
Bobette, an elder of the whanau (extended family) begins the powhiri (sung
welcome). She stands about 200 yards away on the steps of the whare nui
(meeting house). It’s a beautiful yet heart-stopping wail, the call in Maori
silencing even the chirping birds. As we walk forward onto the sacred marae,
Martha answers the call. Even though we’ve been told she is going to do this,
nothing prepares us for the emotions that well up inside us. She’s so close to
us and her cry sends shivers down our spines. They call back and forth to each
other as we walk to the middle of the lawn. About 30 of the whanau are
standing near Bobette. We take our seats facing them. The meeting house is
beautifully carved and the carvings tell the story of their tribe. The Maori are
a very oral society. Terry, the chief of the whanau is the first to speak.
He’s a retired sheep shearer with a shock of white hair and he holds an
intricately carved staff. Tradition demands that Terry speak in Maori so Martha
and Petera translate in a whisper for us. Terry begins with a prayer
honoring the ancestors. Maori have a fundamental sense of place, so he relates
their whakapapa (geneology) and identifies their maunga (mountain),
awa (river), iwi (tribe) and tupuna (special ancestors). As
his speech ends, the whanau stand and sing a waiata (song in support of
his speech). Two other speakers follow in similar fashion. Terry sometimes
breaks tradition by choosing a younger man to speak, using our visit to give
their youth practice in speaking Maori in public. Now it’s our turn!
Mercifully, women cannot speak on the marae, so Petera speaks on our behalf and
we follow with a waiata – usually a song known to all like “You Are My
Sunshine.” Petera speaks in a mixture of Maori and English,as he is not fluent
in Maori. Despite having parents who spoke in their native tongue at home, he is
typical of middle-aged Maori who grew up in a society that sadly discouraged the
use of his native language. Thanks to activists who demanded change 20 years
ago, there are now Maori radio and television stations, and total Maori
immersion schools with wonderful teachers like Martha.
The whare kai is decorated with
mementos of past visitors and special whanau gatherings. Petera takes me into
the kitchen and points out the new floor, counters and appliances purchased with
koha from previous Canyon Calling visits. It is heartwarming to know that
our staying at the marae is mutually beneficial. Terry tells me that our visits
are equally important in bringing the tribe together and in creating
opportunities for the younger ones to practice the traditions of their heritage.
A Maori concert
The children’s performance is
wonderful and our travelers are enthralled. There’s no need for microphones
– these kids have incredible voices and their singing fills the hall. The boys
perform a haka (war dance). It’s slightly frightening to see eight year
olds yelling and dancing with bulging eyes and sticky-out tongues – the
intimidation, of course, is exactly the point. The girls demonstrate their
dexterity dancing with the poi (ball on the end of a rope). Then the
children honor us by singing “America the Beautiful” in Maori. There’s
barely a dry eye amongst us and then they tip me totally over the emotional edge
by singing New Zealand’s national anthem in Maori. As a 20-year ex-pat I’d
never experienced this. I was thrilled to learn that the anthem is now sung in
both Maori and English on every state occasion. At this stage of the evening
we’re exhausted and head to the showers. Sleep is going to have to wait
another hour however as it’s now our turn to speak! Tradition not only allows
women to speak in the whare nui where we’ll sleep the night, but this is the
part that the women of the whanau look forward to the most. They want to get to
know us. So there we each stand in turn, in our pajamas on our mattresses,
sharing our heritage!
The whanau are equally
interested in where we come from. I don’t mean Columbus, Ohio – they want to
know which countries our grandparents came from. This has proved to be a
wonderful experience for many of our travelers who are so used to ignoring or
minimizing their heritage in order to assimilate as Americans. Some have even
followed their talk by singing a song learned on their grandmothers knee –
something they haven’t sung in years. I once asked Bobette how many people
were in the tribe and was surprised when she asked, “Living or dead?”
Their deceased ancestors are very much part of their lives and photos of
them hang above our heads as we sleep. And sleep we do!
It has been a very full evening. The whanau sleep on one side and we
visitors on the other. Terry always sleeps closest to the door on the whanau
side and Petera does the same on our side of the whare nui – this is
traditional protective position. It’s wonderful to see all the different
generations sleeping side by side. Terry ends the evening with a karakea. The
trick is to get to sleep before the snoring begins! The next morning a cooked
breakfast is served in the whare kai. After breakfast we’re invited to speak
about our experience. Some of our travelers express appreciation to the whanau
for the generosity of their hearts and the joy of the visit. Most are beyond
words. As tour leader I thank the whanau on our behalf and present a gift to the
tribe – often an article made by a Native American craftsperson. Terry then
gives a final speech of farewell and says a karakea for our safe passage
throughout the rest of our New Zealand tour. A guitar appears and the whanau
sing “Now is the Hour,” the traditional New Zealand song of farewell. The previous day we were
invited to “Bring in with you your anger, your discontent, your questions but
take with you the gifts of peace, goodwill and friendship.”
This we have done. Many of us are thinking how rich the Maori are in
their connectedness with their land and each other, and are despairing a little
about the lack of community in our own lives. As we drive down the hill
overlooking their cemetery by the sea, the whanau all walk across the marae to
wave to us from up on the hill. We wave back but no one can speak. We are too
moved by the fullness in our hearts.
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