 |
Opera Ball in
Vienna, Opening
Photo by Bartl
|
 Throughout the night, one is surrounded by
beauty: Vienna's balls usually take place either in lovely mansions, once owned
by members of the aristocracy, or in a prince's former town palace or at the
most desirable location in all of Vienna, the great hall of the Imperial Palace
(Hofburg).
Vienna's ballrooms are, as it were, dressed to the hilt for the occasion: Decked
out in thousands of flowers, and the walls adorned with magnificent decorations
and ablaze with glittering lights, they evoke an atmosphere of elegance and
tradition.
Ball goers arrive, the ladies bejeweled and dressed in gowns that will be
discussed in next morning's paper, the gentlemen in black or white tie, complete
with ribbons. To the tune of a formal polonaise, the debutantes of the season
and their escorts – young girls almost always dressed all in white, young men in
white tie and tails – open the ball.
The first dance is invariably a waltz, danced to perfection by these young
scions of society. After it is completed, the dance master calls out the words
for which everyone has been waiting: “Alles Walzer! – Everybody Waltz!” It is
then that the dance floor is turned over to the rest of the guests and becomes
the arena of all ball goers. And, indeed, everybody does dance – all through the
night!
Champagne is the drink of the evening. At some balls, being seen by or being
with the right people counts as much as the good time one is having. Most balls
last until the wee hours of the morning and, in addition to waltzes, one finds
couples dancing the jitterbug or the tango, and to disco tunes or the Macarena.
Usually, it is the "kids" that remain until it is nearly dawn – their energy
seems to be boundless.
Going home after a ball? No way! There's still time for a Katerfrühstück, a
"hangover breakfast." And if coffeehouses are not yet open, there's always a hot
dog stand nearby. It’s not unusual during Vienna's ball season for early risers
on their way to work to encounter a group of lively youngsters in splendid gowns
and formal suits, silk shawls draped over their elegant coats, devouring a hot
dog at an all-night Würstelstand.
 Vienna's ball tradition also demands a Damenspende, a present for the ladies to
take home. Originally, this present was designed to hold the dance card, on
which ladies listed all the dances of the night. Young men would reserve dances
by writing their names next to the chosen dance or dances. Around the turn of
the last century, some of these Damenspenden were unusually inventive. Some,
signifying the advent of the modern age, consisted of miniature steam
locomotives or tiny sewing machines. Today, Damenspenden may be somewhat more
prosaic – an exquisite perfume, a waltz CD or a lovely piece of custom jewelry
are always welcome.
In preparation for their grand entrance, Vienna's debutantes will have prepared
for many months beforehand by attending one of Vienna's elegant dance schools
and, later, rehearsing the opening ceremony and waltz in the ballroom itself.
Incidentally, dance schools, such as the famous Elmayer's, offer "crash courses"
at reasonable prices for ball goers visiting from outside Vienna without much
time at their disposal.
Of course, visitors to the city don't always travel with a ball gown or tuxedo
in their luggage. Here, too, numerous rental services specializing in ball gowns
and formal wear come to the rescue. The Viennese themselves also often make use
of them – an inventive way of being clad in this year's fashion without having
to pay the full price.
"I would never marry a woman who dances the waltz!"
The Viennese love celebrating Carnival, the days preceding Lent, which is called
Fasching in Vienna and usually lasts from the beginning of the new year until
Ash Wednesday. Considering the love of the Viennese for festive occasions, it is
all the more surprising that Vienna, unlike Venice, Rio de Janeiro or Cologne,
does not have an extended period of cavorting in the streets with parades of
masked revelers.
This tradition, or lack thereof, goes back to one of Austria's most beloved
rulers, Empress Maria Theresia (1717-1780). Despite being much admired by her
people, she often played the role of a stern mother figure: She did not approve
of the Viennese Fasching of her day, which at that time still included wearing
masks in the streets, because brawls and tumult sometimes erupted under the
cover of anonymity. She therefore banned the wearing of masks in the streets of
Vienna. But she permitted the aristocrats at her imperial court to celebrate
with masks inside their own "homes" (which were, in fact, palaces or elegant
mansions). After her death, her son Josef II, a "People's Emperor," who was even
closer to the Austrian people than his mother, relaxed her rule and allowed all
Viennese to celebrate Fasching indoors, with or without masks.
At that time, balls were rather sedate affairs, with stylized minuets, gavottes,
polonaises and other figure dances involving very little body contact. What
no-one could foresee was the infusion of a new musical energy that the advent of
the waltz would bring to Vienna and, thence, to the rest of the world. At first,
the waltz was considered exceedingly immoral: the constant invitation of today's
dance masters, much to the chagrin of timid young girls and boys, namely “Tuchfühlung!”
("Get closer!") was precisely what outraged the old guard at that time.
In 1787, Johann Count Fekete described a ball which included waltzing: "It was
wild and immoral. The women behaved in a Bacchanalian manner, all innocence fled
from the place." And the Duke of Devonshire declared unequivocally: "I would
never marry a woman who dances the waltz!"
Their protests were futile – the waltz was destined to take over the world. And
balls in Vienna are forever linked to lilting melodies in three-quarter time.
Have a Ball!
There are balls for every taste and every pocket-book in Vienna. On New Year's
Eve, the elegant Kaiserball (Imperial Ball) at the Hofburg (Imperial Palace), a
relatively recent ball, has attracted tourists and Viennese alike. Of course,
the crowning glory of Vienna's or, for that matter, the European ball season,
has traditionally been the Opernball (Feb 19, 2004), held at Vienna's venerable
State Opera, whose stage and auditorium are transformed into a giant dance
floor. This is an event of such magnitude in Austria that it is broadcast live
on television – so that everybody participates.
The Jägerball (Hunters' Ball; January 26, 2004) is a special event, where almost
everybody is turned out in elegant variations of Austria's native dress. The
floor-length dirndls of the ladies are made of velvet and silk, and the Alpine
jackets of the men are of the finest materials.
One of the highlights in this city where music reigns supreme is, of course, the
ball put on by the Wiener Philharmoniker at its home, the Musikverein concert
hall. Members of the Philharmonic put aside their instruments for the
Philharmonikerball (January 22, 2004) and let another orchestra play for them –
but they do dance!
The Rudolfina Redoute (Feb 23, 2004) is the only significant masked ball in
Vienna. Until midnight, the floor belongs to masked ladies: It's their choice
until then. If one's heart is set on wearing a mask, however, one may
participate in one of the numerous G'schnasfeste where the motto is: Anything
goes!
Of course, there are numerous other balls of differing degrees of elegance. They
all have some things in common: they are festive, they are fun and they offer an
occasion to dance the night away in three-quarter time.
 |
