|
 The Vienna Hofburg Palace, the former winter
residence of the Austrian emperors, was at the time of the Habsburg
monarchy the scene of magnificent balls and events, such as the “Ball at
Court” given by Emperor Franz Josef and Empress Sisi.
The first modern day recreation of the
monarchy’s “Ball at Court” was staged in the Hofburg Palace on New
Year’s Eve, 1970, and I attended this ball with the encouragement of my
Viennese guide, Princess Helene Croy. The princess was a member of the
Habsburg royal family and had personally known Emperor Franz Josef and
each of his family members.
She advised me when she was guiding a
summer trip for me in Vienna that the “Ball at Court” was being
recreated as it was in the days of the monarchy, and that the ball would
now be titled the “Imperial Ball.”
Princess Croy had attended this “Ball at Court” many times as a
young lady until the end of the monarchy in 1918 after World War I.
She advised me the ball would have the same
elegant format as the former “Ball at Court,” but that the Imperial
Ball would be a subscription ball instead of an invitational ball. Taking
her advice, I purchased a ticket to this new Imperial Ball for $50 and
flew to Vienna on December 29 for a four-day New Year weekend. 
The events of that weekend were so
spectacular I immediately knew they had to be shared with the world, and I
began planning a trip to Europe for the next New Year.
However, in those days to obtain the group airfare that I thought
would be needed to sell the trip, you needed a minimum stay of 15 days.
So, instead of just the week in Vienna for the New Year, I decided
to spend Christmas in Zermatt, Switzerland, at the base of the mighty
Matterhorn, where sleighs were the only form of transportation in the
village, surrounded by snowcapped Alps.
Then
I continued from Switzerland to Vienna on December 28 for a week of New
Year activities. These
included the Imperial Ball on New Year’s Eve, a performance at the
Vienna State Opera on New Year’s night (both black-tie events), a
performance at the Volksopera, a Mass sung by the Vienna Boy’s Choir, a
New Year’s Day Strauss concert, a performance of the Lipizzaner
stallions on New Year’s Eve morning, and a farewell dinner/dance in a
private palace in Vienna.
A comprehensive program of sightseeing in
Vienna included the Museum of Fine Arts, the Treasury, Shönbrunn Palace
(the summer palace of the Habsburgs), the State Apartments of the Hofburg
Palace (the winter city palace of the Habsburgs), St. Stephan’s
Cathedral, Belvedere Palace, the Capuchin Crypt with the tombs of the
Habsburgs, and a day’s excursion into the Vienna Woods where Strauss was
inspired to compose so many of his waltzes.
I was the first American travel agent to
take a group of Americans to Zermatt for Christmas and on to Vienna for
the Imperial Ball on New Year’s Eve.
The trip was an instant success and has continued annually for 29
years. After the 13th year of
the trip, I truncated it so that guests may take the Christmas in Zermatt
portion (December 20-28) and/or the New Year’s in Vienna segment
(December 27-January 4).
Each
year on New Year’s Eve, according to Austrian tradition, Imperial Ball
guests are received in the entrance hall of the Hofburg Palace to the
strains of the Hofball Orchestra, where they witness the historic changing
of the Imperial Guard. Guests
are presented with a glass of champagne while they listen to Strauss
waltzes and view elegantly gowned ladies and gentlemen in black tie from
all the capitals of Europe arrive for the ball.
A Viennese lady dressed as Empress Sisi and a gentleman dressed in
the military uniform of Emperor Franz Josef greet the ball guests.
Ladies receive a small gift as a token of the evening, presented by
footmen dressed in silk livery. Members
of the Ball Committee, wearing yellow rosettes, guide you to seats in the
festively decorated state chambers. 
More than 30,000 carnations are flown in
from Madeira to adorn the marble staircase and all of the ballrooms of the
palace. Each of the ballrooms
is open to guests to view. They
include the Ceremonial Hall, the former throne and ballroom of the
Habsburgs; the Knight’s Hall, in which Maria Theresia was christened in
1717; the Secret Privy Chamber, which gained historical importance as an
audience hall; and the Radetzky-Apartments, which the Emperor made
available to Field Marshall Radetzky as living and business quarters as a
special honor for his achievements.
The doors of the palace open to guests at 8
p.m. on New Year’s Eve, and after pausing in the marble foyer for
champagne and the changing of the guard, guests ascend the marble
staircase to the second-story ballrooms.
The evening commences at 8:30 p.m. with an exquisite gala dinner
served by waiters in silk livery and 10 orchestras playing in seven
ballrooms, so that guests may dance between courses at dinner.
At midnight the traditional ringing of the Pummerin – the bell
from St. Stephan’s Cathedral – can be heard.
The Imperial Couple wishes a hearty “Happy New Year,” the
Deutschmeister Band marches through the halls playing music, and guests
dance into the New Year to the strains of The Danube Waltz.
The
climax of the ball is the Viennese Operetta Gala, which takes place
shortly after midnight in the Grand Festival Hall, where my guests are
seated in the prime location in the palace – on a dais where they have
the best view of a cabaret, which features singers and dancers from the
Vienna State Opera and the Volksopera performing scenes from Viennese
operettas. Following the
entertainment, internationally known orchestras invite guests to dance in
the Grand Festival Hall, the Ceremonial Hall, the Kaisergarten and the
Knight’s Hall. The final
waltz is played just before 5 a.m., when the bells of St. Stephan’s may
be heard and the ball comes to an end amid the splendor of the most
magnificent palace in Vienna.
 
|