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This month's
museum pick...
Boston Beer Company Museum By Patrick Totty Before World War II, the United States supported hundreds of
beer breweries, almost all of them regional. Upstate New Yorkers enjoyed
Genesee and Rheingold beers, Milwaukeeans swore by Pabst and Schlitz,
and for years loyal Los Angelenos had been buying streams of cheap,
reliable Eastside beer and Brew 102.
After the war, as brands like Budweiser and Miller began
pursuing all-out national marketing strategies, many of the America’s
regional and local breweries succumbed, unable to counter the glamour of
the mega brands. Unfortunately, with the demise of the small breweries, U.S.
beer drinkers were consigned to sipping a sorry lot of watery, tasteless
carbonated brews, deliberately insipid-ized to appeal to the broadest
possible mass market. Even brands that had successfully managed to establish a
national presence while keeping a distinctive taste foolishly gave in to
the trend toward formulaic brews that could be
pumped out cheaply in quantity. The boys in accounting loved it;
the brew masters endured it. Schlitz, the country’s number-three brand in the early
1970s, decided to change its formula and substitute cheaper ingredients
so it could pad its bottom line. The company’s managers reasoned that
American beer drinkers’ taste buds had been so stunted and atrophied
by a generation of indifferent brews that they’d never notice the
difference. Bad decision: Schlitz fans caught on right away and raised a
stink so big that the brand never recovered. By the end of the decade,
it was almost as hard to find Schlitz in a beer case as it was to find
Old Gold or Lucky Strike cigarettes. But good can come of bad. Surviving small brewers took heart
that there was still a constituency of drinkers who liked beers with
taste and character. In San Francisco, Fritz Maytag, heir to the washing
machine fortune, sank money into an old brewery and began producing
limited quantities of tasty, hoppy beer, Anchor Steam. It soon had local
aficionados raving like wine buffs about mouth feel and lingering after
taste – a kind of enthusiastic discussion that hadn’t been heard
among beer drinkers in years. In Boston, Jim Koch started the Boston Beer Company in 1984,
an enterprise he dedicated to making small lots of hand-crafted beer.
His first product, Samuel Adams Boston Lager, reached all of 500 barrels
in 1985 – a drop in a swimming pool compared to the prodigious output
of a Budweiser or Miller. But word was out. Those relatively few Massachusetts and Connecticut beer drinkers who’d had the lager began spreading the word about it, underlining their passion for it by declaring they weren’t ever going back to regular beer. Koch further reinforced the mystique around his lager when he
got the West German government to approve its sale in Germany. The
famous Reinheitsgebot,
Germany’s 400-year-old “purity” law had declared that beer sold
within its borders could only be made from water, yeast, malt and hops.
That simple requirement had acted as a fool-proof moat around the
domestic beer industry for centuries, shutting some of Europe – and
America’s – greatest beers out of the German market.
Koch’s German coup put his lager on the national map. Along
with Maytag’s West Coast product, it emboldened entrepreneurial beer
lovers nationwide and led to the microbrewery movement. If tasteless
mass-produced beers were the dinosaurs of the beer world, the
microbreweries became its little mammals – darting around in the
underbrush, happy to live in the shadows even as they inexorably begin
gnawing at the supremacy of the big guys. The Boston Beer Company operates a museum that shows visitors
the history of regional brewing, equipment from years past and
demonstrations of current brewing techniques. In the U.S., it’s as
close to an official beer museum as we’re going to get for awhile.
Until Milwaukee gets its proposed municipal museum of beer history up
and running, it’s the beer companies that run the venues dedicated to
preserving beer brewing history. Because Jim Koch and his upstart company did so much to
restore taste and quality to American beer, we’re willing to point
readers in the direction of his museum. (The writer of this article is a
Rainier Ale man and doesn’t really like lagers all that much.)
Besides, it’s in Boston, where there’s also a million other pleasant
things to do. http://www.samadams.com/beer/tour.html
Boston Beer Museum |
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